Professional Learning Background Essay on Late 19th and Early 20th Century Immigration This summary of late nineteenth- and early twentieth-century immigration describes the "new immigration" that originated from Southern and Eastern Europe. The essay also outlines American responses to the new wave of immigration, including some of the laws designed to restrict immigration that were adopted between and Between andalmost fifteen million immigrants entered the United States, a number which dwarfed immigration figures for previous periods.
The History Plays, Twayne Publishers,pp. It is generally agreed that the three plays were written during the very first years of the s. There is a small body of opinion that denies exclusive authorship of these plays to Shakespeare and argues that they result from a collaborative effort in which Shakespeare played a leading role.
The First Part of King Henry the Sixth begins with a procession of noblemen who have assembled to mourn the death of Henry V, hero of Agincourt and conqueror of France. It is nevertheless a workmanlike piece of dramatic poetry: When he makes his appeal to such impersonal entities as the heavens, the day, and the comets, he fails to lend distinctiveness to his own character or particularize his grief.
The notion that the stars Part vi the twentieth century essay rebelliously agreed to the death of King Henry succeeds only in paying distant homage to a commonplace.
Not even the most prescient and insightful hearer of these lines could guess that the twenty-five- or twenty-six-year-old William Shakespeare who wrote them would devote a great part of his intelligence and working life in the decade of the s to the composition of a series of eight plays that pivot around the heroic life and untimely death of the King Harry who is memorialized by Bedford.
It is pleasing though illusory to imagine that Shakespeare intuitively understood that the death of the hero king could be dramatized as the crucial event of the hundred years of English history—from the deposition of Richard of Bordeaux to the violent death at Bosworth field of Richard of Gloucester—which the poet would claim as his particular province.
The popularity of The First Part of Henry the Sixth is seen not only in its amazing succession of sequels but also in contemporary testimony. Nashe captures the immediacy and excitement of a new kind of theatrical experience for an audience that had not yet been sated with innumerable bland historical dramas.
The play is a hodgepodge of competing actions. The characters are not effectively differentiated. Except for Talbot himself, the earls and dukes all speak in the same florid and excited idiom.
Moreover, the plot lacks resolution and comes not so much to a climax as to a halt. The most coherent and important of these is the series of English sieges, thrusts, and counter-attacks aimed against the forces of France. Shakespeare draws with some care the contrast between English John Talbot, the commander of one side, and Joan of Arc, the inspiration of the other.
A second major action is the dynastic squabble between Richard Plantagenet later the Duke of York and the party of the white rose, and their antagonists the Lancastrians, the party of the red rose, led in this play by the Earl of Somerset.
Still a third action is the continuing antagonism between the protector Humphrey, the good Duke of Gloucester, and his uncle the ambitious clergyman later bishop Winchester. Finally, at the end of the play, the Earl of Suffolk emerges as a major figure when he arranges a marriage between King Henry and Margaret, the powerful queen whose furious intensity dominates so many scenes during the three subsequent plays in the first tetralogy.
The play is certainly episodic, but each episode has its own rewards. The most memorable character, to Nashe as well as to modern audiences, is the heroic Talbot, in whom is embodied the most cherished values of chivalric civilization. Against Talbot are arrayed two very powerful groups of enemies.
The first consists of the forces of France, inspired and led by the witch Joan, who are eager to reclaim lands recently taken from them by the great Henry V.
Feudal society is erected on sharp distinctions between nobility and commoners. It is marked by loyalty and fidelity to the king or leader; although betrayal is frequent, it is always greeted not only with condemnation but also with shock and surprise.
Status is ascribed rather than earned—that is, dependent on birth rather than achievement. Courage and skill in battle are principal virtues. Great value is attached to political and military leadership, especially that which is revealed in oratorical performance. The giving and taking of oaths is extremely important.
Those who give their bond are expected to keep it; oath breakers are, like those who show cowardice, roundly contemned and scorned. The aristocrats like Talbot who embody these virtues are accustomed to command and are consequently distinguished by their overbearing manners and extremely short tempers.
They are always on the verge of emotional explosion and their swords are never far from their hands.
They are sensitive to insults to their birth, status, and courage, and they routinely subordinate private and domestic relationships to public and military performance.V Twentieth-Century Philosophy Professor D. Sidorsky Fall The reader contains, as the concluding selections of part one an essay titled “Pragmatism – Method, Metaphysics, and Morals” which may be useful in demonstrating pragmatism Logical Positivism for ethics and theology in Chapter VI of that book, “Critique of Ethics.
Modified AP World History Essay Questions 4 Continuity and Change-Over-Time Essay Question Revised Question Analyze continuities and changes in patterns of interactions along the Silk Roads from B.C.E. to C.E. Analyze continuities and changes along the .
Throughout the twentieth century, the rights and legal status of Part II of this Essay describes the Declaration’s sources of inspiration and its intentions, Part III deals with its succes-sive versions, Part VI examines its scope, and Part V draws conclusions.
II. SOURCES OF . philosophy of the 20 th Century through an account of the development of these five movements. Part I: The Origins of Five Philosophical Movements in the Twentieth Century () A. The advent of Pragmatism 1. William James’s Pragmatism as the resolution of the dilemma of Materialism and Idealism.
Origen of Alexandria (c. – c. ), also known as Origen Adamantius, was an early Christian scholar, ascetic, and theologian who was born and spent the first half of his career in rutadeltambor.com was a prolific writer who wrote roughly 2, treatises in multiple branches of theology, including textual criticism, biblical exegesis and biblical hermeneutics, homiletics, and spirituality.
Part VI: The Twentieth Century True Many talented composers and musicians were able to earn fortunes writing for a mass market audience in the twentieth century.